1/7/2023 0 Comments Lil peep documentary![]() "It was the end of November when we had people try to sign ," GBC co-founder Wicca Phase said last year. But the fact is, they were his friends, and after Peep’s death, Gothboiclique found themselves navigating calls from major labels and legacy publications essentially because his obituaries performed well. It's possible they were there because Peep was struggling and wanted his friends around, or because they were clinging on to his ascent to the top. It’s true that they weren’t supposed to be on that last tour. "They’re all fucking dumb and suck at their jobs or they just aren’t from the new generation and don’t get it."Įverybody’s Everything seems to insinuate that the members of Gothboiclique are at least partially at fault in Peep’s death. "I don’t want to be lil peep g I’d rather work at Starbucks…" Peep said to Ortega on August 13, 2017, in texts obtained by Rolling Stone. Members of his former collective, Schemaposse, also speculate around the circumstances of his death, and Stennet, Ortega, and Makonnen-who is signed to First Access and formed a close friendship with Peep while collaborating in London-all talk about him being in with the "wrong crowd." But Lil Peep’s story is one of heavy drug use, struggle with the demands of fame, and pressure from all sides. Some GBC members are interviewed briefly for color, remarking on their time living together on Skid Row or refuting the bizarre conspiracy theory that various members had something to do with Peep’s death, but their presence in his life is framed in the documentary as largely negative. The documentary establishes that there were tensions between his collective Gothboiclique and First Access as they focused on building up Peep, but we hear about it mainly from the perspective of Sarah Stennet and Peep's manager Chase Ortega. He was blowing up, relocating to London-away from most of his friends and collaborators in LA-and dealing with the questions that bubble up in a budding music career (how much creative control do you have? How much of your life is “yours” when it’s being bankrolled by someone else?). The artist born Gustav Åhr died during a transitional phase, not even two years into his career. ![]() Now, we’re left with a documentary that sets up one thing and a lawsuit that alleges another. First Access has since denied these allegations, but the suit certainly casts things in a different light. ![]() This is all made more complicated by the fact that last month Womack filed a lawsuit against First Access Entertainment for negligence, breach of contract, and wrongful death, among other charges. Blame games are understandable in a situation when someone’s death probably could have been avoided, but it’s debatable how much they matter to a documentary whose concluding point can only be that the whole thing is deeply sad. As a son, star, and an investment, Lil Peep had a lot riding on him when he died, and that becomes increasingly apparent throughout the documentary, which starts off as an act of remembrance but gives way to finger-pointing in terms of who’s responsible for his death. Find the full feature at The New York Times.Co-directed by Sebastian Jones and Ramez Silyan, and executive produced by Terrance Malick, Liza Womack (Peep’s mother) and Sarah Stennet (CEO of First Access Entertainment, Peep's management company), Everybody’s Everything is a fitting title. Its release ultimately came with both mothers’ blessings. Peep’s mother, Liza Womack, also said the song’s release wasn’t her choice, but relented after speaking to X’s mother, Cleopatra Bernard. Members of Peep’s circle objected to X’s remake, noting “Peep’s wariness of XXXTentacion because of the severe allegations against him,” The Times reports. Peep had recorded the original with producer Smokeasac and Makonnen, according to The Times. The Times feature also elucidates the creation of “ Sunlight on Your Skin,” which was reworked by the late XXXTentacion and controversially released as “ Falling Down,” after both rappers’ deaths. Musical collaborations with iLoveMakonnen are also likely to see the light of day. Malick, the director behind cult films including Badlands and The Thin Red Line, is a friend of Peep’s family, Jon Caramanica reports for The Times. A new Lil Peep documentary will be executive produced by Terrence Malick and may come with a new soundtrack, The New York Times reveals in a new feature on plans for posthumous Peep releases.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |